The Center for Culture and the Arts of La Ribera by ATELIER ARS in Ajijic, Jalisco, transforms an existing auditorium into a cultural center through clay, brick vaults, a library, workshops, a reflecting pool, and a sensitive dialogue with Lake Chapala.

Casa Kancab by KAMA Taller de Arquitectura in downtown Mérida transforms a Yucatecan colonial house through preservation, chukum, red earth tones, a circular skylight, organic textures, a patio with pool, and a contemporary sequence that reconciles past and present.

House of the Flying Tiles by Daniel Moreno Flores in Pifo, Ecuador, transforms a roof into the essence of a country house through hanging recycled tiles, recovered wood, trees, light, mountain views, and a playful spatial experience shaped by reuse and imagination.

Casa Tamarindo by Studio Moca + Gadex in Mérida transforms a 4.5-meter-wide historic house into a spacious sequence of patios, gardens, chukum, stone, wood, restored beams, and a sunken living room that brings light, ventilation, and memory into a narrow lot.

The Chapultepec Environmental Culture Center by ERRE q ERRE and Taller ID in Mexico City creates a cultural, landscape, and environmental node through biocultural paths, ethnobotanical gardens, an environmental pavilion, and an agroecological zone.

Macuili House by Talhia Ximena Peña Romero in Quimixtlán, Puebla, is a retirement house rooted in a tropical coffee-growing landscape, using local materials, controlled light, defined spaces, and a sensitive relationship with nature, memory, and aging.

Casa Cedro by Terreo Studio in Tulum blends Mayan limestone, tropical wood, chukum, arches, patios, and handcrafted finishes to create a contemporary villa rooted in local memory, material texture, shadow, and the calm atmosphere of La Calera Tulum.

Casa Zilin by Gabriela Carrillo + Israel Espín in Baja California uses a central staircase, patios, stone, concrete, structural glass, and low-impact territorial strategies to create a dwelling that reveals the arid landscape through movement, light, and contemplation.

Children’s Bicentennial Park by ELEMENTAL in Santiago, Chile, transforms the slope of Cerro San Cristóbal into a playful public landscape with slides, paths, tree houses, water games, native vegetation, and spaces for learning, culture, and community. Más que un parque infantil, es una invitación a explorar el paisaje, interactuar con la topografía y experimentar la ciudad desde otra escala

Casa Tejocote by GOMA Taller de Arquitectura in Querétaro transforms a regulatory restriction into an inhabitable wall. Through pigmented concrete, patios, skylights, and precise openings, the house protects privacy while opening carefully to the semi-desert landscape.

San José Preschool by Taller de Arquitectura de Bogotá in Cajicá, Colombia, rethinks school infrastructure through low-scale volumes, patios, natural light, cross ventilation, and spaces designed from the perspective of childhood.

Colonia Héctor Caballero Library by Proyecto Reacciona in Santiago, Nuevo León, shows how community participation, low-cost materials, color, and social architecture can transform a deteriorated public library into a safe and playful space for children. Es así como desde el año 2017 han logrado rehabilitar varios parques, escuelas y bibliotecas públicas ubicadas en diferentes zonas de bajos recursos de Nuevo León, MX, su sede y área de trabajo.

Villa Desierto Complex by Formatelier Arquitectos in Playa Cerritos, Baja California Sur, creates a dialogue between desert and ocean through rammed earth, exposed concrete, wood, vertical screens, and a rooftop terrace open to the Pacific horizon.

Nueva Esperanza School by Al Borde in Puerto Cabuyal, Ecuador, transforms local materials, community labor, and active learning into a small rural school where architecture becomes a tool for education, identity, and social transformation.

Explore 15 translated quotes by Mexican architect Tatiana Bilbao that question who architecture is really for, inviting designers to rethink responsibility, sustainability, collaboration, memory, technology, and the human purpose of design.

The Orquideorama by plan arquitectos + JPRCR Arquitectos in Medellín transforms a botanical pavilion into a living ecosystem, using hexagonal modules, cultivated wood, rainwater collection, and natural ventilation to connect architecture, childhood, and nature.

El Guadual Early Childhood Development Center in Villa Rica, Colombia, uses participatory design, guadua bamboo, passive strategies, and community spaces to turn educational architecture into a tool for learning, autonomy, and social transformation. Cuando pensamos en espacios para la infancia, muchas veces imaginamos aulas, juegos o mobiliario colorido. Pero hay proyectos que van más allá y entienden que el aprendizaje no comienza en un pizarrón, sino en cada recorrido, en

Casa Roja by Ángel García Estudio transforms an urban site in Huatulco into a private coastal refuge. Without ocean views, the house builds its own landscape through red pigmented concrete, patios, vegetation, shade, and a layered domestic layout.

Portal 62 by Veinte Diezz Arquitectos + MORO Taller de Arquitectura transforms a compact house in Mérida into an architectural discovery, where rammed-earth walls, a hidden cave, and a subterranean tub turn 68.20 m² into a layered spatial experience.Lo que inicialmente pudo haber sido una intervención convencional terminó convirtiéndose en una pequeña arquitectura de descubrimiento.

In the heart of the forest, perched atop a 40-meter ravine in one of Mexico City's most exclusive neighborhoods, stands a structure that seems to defy architectural logic. It's not exactly a house or a conventional studio, but rather a blend of habitable sculpture, futuristic capsule, and brutalist temple. This is Casa Praxis, the workshop and home of legendary Mexican architect Agustín Hernández, built in 1975 as a synthesis of form, function, and sculptural power.

The Economic Commission for Latin America and the Caribbean (ECLAC) building, designed by architect Emilio Duhart in Santiago, Chile, became an icon of Brutalism. At first glance, Brutalism might seem like a cold and dehumanized architectural style, but in reality, in Latin America, it became a means of expressing solidity, modernity, and resilience. How did a building conceived to house an international organization end up becoming a symbol?

Amidst the urban dynamism of León, Guanajuato, a house emerges that chooses tranquility over noise, shade over excess, and contemplation over immediacy. Gálvez House, designed by Estudio Villagálvez under the direction of Christian Mauricio Villanueva Gálvez, stands as an architectural response to a saturated context, where the green landscape—scarce yet essential—becomes the starting point for a profoundly human spatial narrative.

Casa Lorena was part of an early 20th-century mansion. Over time, and due to urban development, the land was subdivided until it was reduced to a quarter of its original size. What was once colonial spaciousness was now a narrow, deep plot, squeezed between party walls. The architects at Workshop, Diseño y Construcción decided not to erase, but to reveal. Not to deny history, but to reinterpret it.

The intervention at the National Film Archive was not merely a programmatic expansion: it was a commitment to restoring cinema to its status as a public space. Rojkind Arquitectos took a significant but fragmented cultural institution and transformed it into an integrated cultural campus: theaters, an archive, outdoor spaces, a culinary offering, and a covered plaza that serves as a social hub. The idea was clear from the outset: to make the building inviting visitors to ling