The intervention at the National Film Archive was not merely a programmatic expansion: it was a commitment to restoring cinema to its status as a public space. Rojkind Arquitectos took a significant but fragmented cultural institution and transformed it into an integrated cultural campus: theaters, an archive, outdoor spaces, a culinary offering, and a covered plaza that serves as a social hub. The idea was clear from the outset: to make the building inviting visitors to ling

In the vibrant heart of Mexico City, amidst the urban sprawl and the serene echo of the Alameda Central park, stands a building that transcends the definition of a museum. But can a physical space truly transform our vision of the world and the past? The Museum of Memory and Tolerance (MYT) does not merely exhibit objects or narrate events; it was conceived as a bridge between the horrors of history and the promise of a more just future.

The housing unit closest to the street retains greater independence; it is a duplex ideal for a small family. On the other hand, the internal units are ideal for a couple, regaining privacy through the set of openings that open onto the internal courtyard. This segmentation of housing is achieved by combining lightweight materials on traditional structures, reducing environmental impact and demolition costs; similarly, making ingenious use of the usable area.

Through the Tangerine House by EIXO Z, I will give you some tips that will solve traditional design and living problems.

Designed by Baja Estudio, located in the heart of Guadalajara, Mexico. This project stands as a masterful example of how contemporary architecture can intertwine with the historical and cultural context of its surroundings. Not only does this project respond to the functional needs of its inhabitants, but it also honors the architectural heritage of the city, creating a space that flows between the past and the present.

Founded in 1810 by Mariano Moreno, the Buenos Aires Public Library was one of the first institutions of the nascent Argentine nation. However, for more than 150 years it did not have its own building. It operated in borrowed spaces, first in the Cabildo, then in the Manzana de las Luces, the Colegio de San Carlos, and even in the building at 564 Mexico Street, where Jorge Luis Borges once lived while he was its director.