The Center for Culture and the Arts of La Ribera by ATELIER ARS in Ajijic, Jalisco, transforms an existing auditorium into a cultural center through clay, brick vaults, a library, workshops, a reflecting pool, and a sensitive dialogue with Lake Chapala.

Casa Kancab by KAMA Taller de Arquitectura in downtown Mérida transforms a Yucatecan colonial house through preservation, chukum, red earth tones, a circular skylight, organic textures, a patio with pool, and a contemporary sequence that reconciles past and present.

House of the Flying Tiles by Daniel Moreno Flores in Pifo, Ecuador, transforms a roof into the essence of a country house through hanging recycled tiles, recovered wood, trees, light, mountain views, and a playful spatial experience shaped by reuse and imagination.

Casa Tamarindo by Studio Moca + Gadex in Mérida transforms a 4.5-meter-wide historic house into a spacious sequence of patios, gardens, chukum, stone, wood, restored beams, and a sunken living room that brings light, ventilation, and memory into a narrow lot.

The Chapultepec Environmental Culture Center by ERRE q ERRE and Taller ID in Mexico City creates a cultural, landscape, and environmental node through biocultural paths, ethnobotanical gardens, an environmental pavilion, and an agroecological zone.

Macuili House by Talhia Ximena Peña Romero in Quimixtlán, Puebla, is a retirement house rooted in a tropical coffee-growing landscape, using local materials, controlled light, defined spaces, and a sensitive relationship with nature, memory, and aging.

Casa Roja by Ángel García Estudio transforms an urban site in Huatulco into a private coastal refuge. Without ocean views, the house builds its own landscape through red pigmented concrete, patios, vegetation, shade, and a layered domestic layout.